Highlights from the 22nd International Festival of Films on Art in Montreal by Anna Sampson
/ April 26, 2004
Between March 11 and 21, art and film lovers
feasted at the 22nd International Festival of Films on Art in Montreal. I made
it my business to see as many films on classical music as I could. Here are a
few of my favourite moments from FIFA:
Marie-Nicole Lemieux's Laugh: Canadian
contralto Marie-Nicole Lemieux was the subject of a joyful, entertaining
documentary by Montreal director Donald Winkler. The film, subtitled Une voix
humaine, lived up to its billing by painting a very human picture of Lemieux
at home in Mistassini, in rehearsals and backstage at concerts. It was a joy to
hear her beautiful performances and be a fly on the wall at her family dinners.
Also, the editor of La Scena Musicale makes a cameo
appearance...
Bobby McFerrin and the Verbier Festival
Orchestra: Another decidedly happy film was about musicians Bobby McFerrin
and Chick Corea. In Bobby McFerrin and Chick Corea: We Play, the two were
filmed at the Verbier Festival doing just that. In a play on words, director
Bettina Ehrhardt shows how the musicians blur the line between performance and
pleasurable experimentation. One of the many hilarious moments of the film was a
scene of the rather serious, earnest youths of the Verbier Festival Orchestra
being led by McFerrin in a vocal version of the William Tell
Overture.
Babes on Bikes: Howard Goodall's Great
Dates: 1874, directed by Davis Jeffcock, was a pleasant change from
the staid historical recreations that some of the other documentaries about
composers favoured. Instead, British composer Howard Goodall leads us through a
very smart and funny look at Richard Wagner's life and works. At one point the
mythical Valkyries are embodied by a posse of very scary looking biker
chicks.
Silence: The only film on music to win
a prize at the festival was Claudio Abbado--Entendre le silence, directed
by Paul Smaczny. The film is the fruit of a 14-year collaboration between
Abbado and the director. The former conductor of the Berlin Philharmonic
is depicted through a series of interviews, performances and commentary that,
although they never delve into the personal life of the subject, create an
inspiring portrait of the musician. Strangely--for a film about music--the
moments of silence and introspection were the most moving. In the question
period following the screening, Smaczny said that he was negotiating with
various distributors to release the film on DVD. Keep an eye out for this movie
in the coming year because it is definitely worth seeing.
Although I did get to 21 films in one week, by no
means did I manage to see all the films on music. All I can hope is that the CBC
goes on a shopping spree and buys up as many as possible for next year's season!
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